AT AT Star Wars fan license plate

A friend of mine recommended that I watch Monsters. It was available on Netflix streaming, so I added it to my queue.  The premise is that a survey mission to investigate extraterrestrial life burned up on reentry to Earth over Latin America. The “Monsters” appear later on, for what seems to be a seasonal basis. They terrorize the locals, and the main character is visiting to try and capture some photographs of the destruction. There is an invasion coming and Andrew, the photographer, is anxious to get some pictures so he can cash in. His plans get interrupted by a demand from the publisher to escort his daughter out of the country. She’s engaged to be married, but the fiancé has already made hit home. Why? Probably some type of fight. The movie came across as being a suspense, romance, and science fiction flick all at the same time. I usually like it when I see genres mixed, but Monsters was spread too thin. Nothing made me think, “this is a good movie.” The action scenes were rather intense, but I didn’t really get scared or startled. The awkward romance that blossomed between the photographer and the girl was predictable. The mystery behind the nature of the Monster invasions was interesting, but not enough to carry the rest of the movie. It wasn’t a bad movie, but not one that I’d recommend someone spend money on to see.

Today marks the release of Blade Runner – The Final Cut, directed by Ridley Scott. Blade Runner is loosely based on the novel “Do Androids Dream of Electric Sheep?” by Phillip K. Dick. Blade Runner has been one of my favorite Sci-Fi movies since I saw the original Director’s Cut at a friend’s house while in high school. He and his brother insisted that it was the only version worth watching. Consequently, I have never seen the original theatrical release with the happy ending and Deckard’s voiceover narration. From what I’ve read, the studio executives were the main influence for those changes.

To commemorate the release of The Final Cut, which I hope to review sometime soon, I will share my thoughts on the Director’s Cut DVD released back in 1997. I had only seen Blade Runner on VHS back in 1995, and was anxious to see it in the higher resolution and sound quality that DVD had to offer. The video is of poor resolution and visibly shakes slightly, which is annoying. The soundtrack is in just 2 channels, failing to utilize the 5.1 Dolby Digital that DVD offered. I’ve watched it several times over on DVD, and again this weekend, and every time the poor transfer sticks out like a sore thumb. This was one of the first DVD releases, so was barebones with no extra features other than a chapter selection. (more…)