The Lost King by Margaret Weis

The Lost King Cover

I am always open to suggestions when it comes to discovering new authors. By new, I mean to me, not new to writing. For example, I discovered Isaac Asimov a few years after his death, when he had already written over 400 books. Recently, one of my friends suggested I read the Star of the Guardians series by Margaret Weis. He had read it a long time ago, but was rereading the series again. I figured if it was good enough for him to read twice, I should give it a try. Weis offers an eloquent introduction to the series by first clarifying the genre her books fall into. Many fantasy readers might recognize her name as a co-author of many of the Dragonlance books.

If Fantasy is a romance of our dreams, then Galactic Fantasy is a romance of our future

Galactic Fantasy is certainly not science-fiction. Sci-fi often deals with the romance of plastic and chrysteel; our love and worship of technology.

I believe that man will reach the stars. When he does, the ‘science’ of how our spaceship gets from place to place will ultimately be less important than how we, as people, act when we get there. Galactic Fantasy explores how we deal with our own fears, ambitions and passions as we soar among the heavens—not the technicalities of getting there.

It is my understanding that George Lucas did not intend to write hard science fiction, but rather Galacitc Fantasy in Weis’s terms. Another word that has been used to describe Star Wars is “Space Opera.” I think either of these would be suitable descriptions.

Why do I mention Star Wars? As the first few chapters unfolded, I noticed quite a few familiar themes. I detected obvious influences from Star Wars and Dune very early on. For example, the Guardians seemed to be very similar to Jedi. They are an elite group, loyal to protecting their leaders. Their weapon, for example, is the bloodsword.  There is selective breeding for the “Blood Royal” kind of like in Dune, however it is combined with genetic research and with a slightly different goal. There are a few others that I won’t mention because I consider them to be spoilers.

I was delighted to discover that these were just loose similarities, because I was starting to worry that this was just a mash-up of other ideas that I have seen before. Rather than searching for the one perfect being, the breeding’s goal is to strengthen the blood line of all that rule the galaxy. The bloodsword, unlike the lightsaber, can only be safely wielded by a Guardian. Using it drains the Guardian’s energy, but also contains a fast acting virus that to which only Guardians are genetically immune.

Each chapter begins with a quote from another piece of literature that alludes to the events that immediately follow. This reminded me a bit of how Neal Stephenson did something similar in The Diamond Age. A big difference is that Stephenson gave a more literal summary using the character names and direct plot summaries. I like Weis’s method better, because quotes from other stories leaves a little more to the imagination.

As for plot, the story begins with Lord Sagan arriving at the interrogation/torture room of a recently captured Guardian, one of the last of his kind. Sagan ultimately learns the location of a boy he has been searching for. The setting switches over to across the galaxy to a desert planet and Weis introduces Tusk, the son of a fallen Guardian. He was sent to this planet by his father and given the task of waiting and be ready to assist when the time comes. What time? Why? These he was not sure of until a mysterious man approaches him to enlist his help in smuggling a boy offworld to safety. From there on, the action keeps up and stays steady until the end of the book.

The boy’s name is Dion, and he seems to me much like Luke Skywalker. They are both spirited away from a desert planet and eventually learn they have a destined for things far greater than they could have ever imagined. This was another point where I was worried I was just reading a rehash of so many other stories that I’ve already known from the past. To my relief, Dion’s development is vastly different than Luke’s. Both of them are a bit whiny at first, but Dion seemed to snap out of it faster than Luke.

Weis pulled me into the story rather easily. She started out with some familiar themes, then expanded on them with unique twists of her own. I can honestly say that any Star Wars fan should easily become a fan of this book after just a few chapters. I really enjoyed the pace of the book, vivid descriptions, and the good mix of dialogue and action. Character development is also done quite well. I can’t explain exactly why, but at one point I got goosebumps during a particularly exciting scene. I think that speaks well for the writing and Weis’s ability to get me emotionally attached to the characters. The ending of the book makes it painfully obvious that this is just part of a series. I highly recommend securing a copy of the second book before you are done with the first.

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2016 year in review2016 year in review

Ok, so as I posted earlier, I didn’t do any reviews this year, but I consumed a ton of content. Some may be from 2015, but it is hard to remember. I’m going to provide a list with some highlights and recommendations

  • Audiobooks
    • Elantris – Brandon Sanderson: Good stanalone book, one of his earlier works. Interesting premise – people get a disease and are forced to live in the remnants of a once great city. They cannot be killed, but also cannot heal. Each injury never heals, and never stops hurting.
    • Mistborn Trilogy (1-3) – Brandon Sanderson: One of my favorites this year, very unique set of magic systems
    • Alloy of Law / Shadows of Self / The Bands of Mourning (Mistborn novels)- Brandon Sanderson: continuation in a different time period, also very good
    • The Rithmatist – Brandon Sanderson: Another unique magic system, aimed more at the YA audience, but I enjoyed it.
    • Pandora’s Star / Judas Unchained – Peter F. Hamilton: Second favorite series of the year, be warned, some explicit adult situations
    • Lock In (Amber Besson’s narration) – John Scalzi: unique premise, police procedural
    • Android’s Dream – John Scalzi: another unique premise, enjoyable
    • Redshirts – John Scalzi: must read for any Star Trek fan! won 2013 Hugo Award for Best Novel
    • Agent to the Stars – John Scalzi: I didn’t really care for this one, too much focus on talent agency politics, interesting premise though.
    • Fuzzy Nation – John Scalzi: Good book, reboot of “Little Fuzzy”
    • The Dispatcher – John Scalzi: Novella, another interesting premise by Scalzi
    • Ready Player One – Earnest Cline: One of my favorite standalone novels of the year – must read for anyone that grew up in the 80’s
    • Armada – Earnest Cline: Lackluster followup, skip it. Cline doesn’t dodge the fact that he ripped the premise off of “The Last Starfighter” movie from the 80’s.
    • Undying Mercenaries Book 1-4 – B.V. Larson: Sci-Fi Military fiction. Lots of violence, a little sex. I got these super cheap at $1.99 a pop, would not recommend spending a full Audible credit on them.
    • Year Zero – Rob Reid: I read this in book format back in 2012. Premise is that aliens unwittingly pirate enough music from Earth to bankrupt the galaxy. The solution? Destroy Earth! Remeinds me a bit of The Hitchhicker’s Guide to the Galaxy
    • Altered Carbon / Broken Angels – Richard K. Morgan: Great audiobooks, a couple of my favorite from this year. Lots of violence and a little sex, so be warned. I’m finishing up reading the 3rd book Woken Furies as the narrator changed and didn’t bother to read up on how to pronounce the main character’s last name.
    • Alien: Out of the Shadows (An Audible Original Drama – Full Cast) – Tim Lebbon & Dirk Maggs: Free from Audible, OK if you like the Alien universe
    • American Gods (Full Cast) – Neil Gaiman: Maybe the best standalone audiobook of the year. The performances were perfect and the story engaging. This is soon to be made into aTV series on Showtime I think.
    • Neverwhere – Neil Gaiman: Decent book, narrated by Gaiman himself
    • Hyperion (full cast) / The Fall of Hyperion / Endymion / The Rise of Endymion – Dan Simmons – ABSOLUTE FAVORITE SERIES OF THE YEAR. I cannot count how many times I caught myself thinking back on the stories. I’ll definitely be listening to these again in the future. A good amount of violence and some sex as well, so be warned.
    • The Fountains of Paradise – Arthur C. Clarke: decent book that introduced the idea of the space elevator
    • Childhood’s End – Arthur C. Clarke: ending literally gave me shivers up my spine – The Syfy TV miniseries was just loosely related to the book. Skip that and read this!
  • Books
    • Old Man’s War series (Book 1-6) – John Scalzi: Very interesting premise. Each book seemed to have a new perspective, not like a continuation of the previous ones. I’ll try to explain it a bit more if I have time to go back and review the books individually.
    • Molly Fyde and the Parsona Rescue – Hugh Howey: YA related, checked it out and it really wasn’t for me
    • Beacon 23: The Complete Novel – Hugh Howey: guy stuck on the edge of the galaxy, a bit of a psychological thriller toward the end
    • Stories of Your Life and Others – Ted Chiang: good collection of stories
  • Short Story
    • Paper Menagerie – Ken Liu – ending gave me shivers up my spine as well, very good story

That’s it for now. I don’t think I have time to list TV. maybe next year!

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Caves of Steel Book Cover

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